Difference between revisions of "Integrated Archaeological Database (IADB)"

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The Integrated Archaeological Database (IADB) is a content management and database that integrates different kinds of archaeological digital data.
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The Integrated Archaeological Database (IADB) is a content management and database that integrates different kinds of archaeological digital data. Recently opened is IADB2017, which is an updated interface built on the same backend tables.
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http://www.iadb.co.uk/
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https://en.wikipedia.org/wiki/Integrated_Archaeological_Database
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{{Infobox academic
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| honorific_prefix  =
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| name              = [[has name::Charlotte Marie Cable]]
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| honorific_suffix  =
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| death_date        = <!-- {{death date and age|YYYY|MM|DD|YYYY|MM|DD}} (death date then birth date) -->
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| death_place        =
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| death_cause        =
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| region            =
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| nationality        =
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| period            =
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| occupation        = Post-Doctoral Research Fellow, Saruq al-Hadid Archaeological Research Project
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| title              = [[has title::Wikipedia:Doctor of Philosophy|Doctor of Philosophy]]
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| boards            = <!-- Board or similar positions extraneous to main occupation  -->
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| known_for          = [[is known for::]]
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| signature          =
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| signature_size    =
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| era                =
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| language          =
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| discipline        = [[is in discipline::Wikipedia:Anthropological Archaeology|Anthropological Archaeology]]
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| sub_discipline    = [[is in sub discipline::Wikipedia:Arabian Archaeology|Arabian Archaeology]], [[is in sub discipline::Wikipedia:Mortuary Analysis|Mortuary Analysis]], [[is in sub discipline::Wikipedia:Landscape Analysis|Landscape Analysis]]
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| movement          = <!-- Should match the ideological movement or denomination (for religious), "school" of thought etc. (e.g. "Anglican", "Postmodernist", "Socialist" or "Green" etc. -->
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| religion          = <!-- Religion should be supported with a citation from a reliable source -->
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| denomination      = <!-- Religious denomination should be supported with a citation from a reliable source -->
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| education          = [[education::Wikipedia:Michigan State University|Michigan State University]], [[education::Wikipedia:University of Notre Dame|University of Notre Dame]]
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| alma_mater        = <!-- will often consist of the linked name of the last-attended higher education institution. -->
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| notable_students  = <!--Only those with WP articles-->
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| main_interests    =
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| workplaces        = [[has workplace::Wikipedia:University of New England|University of New England]]
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| notable_ideas      =
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| influences        =
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| influenced        = <!--Must be referenced from a third party source-->
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| awards            = <!--Notable national level awards only-->
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| website            = [https://www.linkedin.com/in/robert-haubt-5b0b5050 LinkedIn], [http://mq.academia.edu/RobertHaubt Academic.edu], [https://www.researchgate.net/profile/Robert_Haubt ResearchGate], [http://orcid.org/0000-0002-0542-5281 ORCID]
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| footnotes          =
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}}
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[[Charlotte Marie Cable]] is some of the following: Integrated Archaeological Database (IADB)
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Archaeology of Arabia, landscape archaeology, mortuary archaeology, heritage & international development
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an interdisciplinary researcher and lecturer in Digital Humanities. He is currently a Research Fellow with the [https://www.fedarch.org/| Field Acquired Information Management System (FAIMS)] project based at [[has workplace::Wikipedia:Macquarie University|Macquarie University]] and teaches in Communication Design and Digital Media at [[Wikipedia:Torrens University Australia|Torrens University]].
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=== Educational Management & Communication Technology ===
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After completing his honors degree in 2004, Robert started working in educational management with focus on building stronger communication and college administration systems for SAE Institute / qantm college, networking over 55 international campuses on four continents catering to 30.000 students.
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 +
=== The Global Rock Art Database ===
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During his Master's degree in 2009, Robert met Paul Taçon while taking 'Rock Art in the 21st century' at Griffith University. Three years later, in 2012, he founded [[The Global Rock Art Database]] project with the support from Paul Taçon at the Place, Evolution and Rock Art Heritage Unit (PERAHU), Griffith University. The project takes a global citizen science approach and currently features over 250 rock art projects and sites from around the world. The Global Rock Art Database explores the use of new technologies for heritage data management and dissemination and looks at ways of making rock art heritage information more accessible and more visible for scholars and enthusiasts alike.
 +
 
 +
=== Bat Archaeological Project (American-Japanese Bat Archaeological Project) ===
 +
In 2007, Charlotte did some amazing stuff --- you just wouldn't believe how vastly mind-bogglingly amazing she is. I'm truth-telling, for sure.
 +
Bat Archaeological Project (Oman), 2007+: excavation and survey in a World Heritage Site famous for its tombs, towers, and settlement. This included stints working for the government of Oman developing their regional office.
 +
 
 +
=== Saruq al-Hadid Archaeological Project (SHARP) ===
 +
In late 2014, Charlotte started post-doctoral research based on excavations at Saruq al-Hadid (Dubai, UAE), 2015-2017*: A 3rd-1st mill. BCE embarrassment of riches within giant (1sq km?) sand dunes on the edge of the Empty Quarter. My work is to interpret this enigma and keep everyone sane.
 +
 
 +
=== Teaching ===
 +
 
 +
 
 +
 
 +
= Ideas and Innovations =
 +
quick summary...
 +
 
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=== The Global Rock Art Database ===
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[[File:Rockartdatabase.png|thumb|The Global Rock Art Database using GIS, Interactive 2D & 3D Model Viewer and semantic data visualization integration of RelFinder]]
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[[File:Rockartdatabase_3d_viewer_x3dom.jpg|thumb|Interactive 2D & 3D Model Viewer ([http://www.rockartdatabase.com/v2/wp-content/themes/v2/plugin_x3dom_images/index.html?img=http://www.rockartdatabase.com/v2/wp-content/uploads/admin/cpt-00-03/un15051822022/Ubirr_rock_art.jpg&w=8.37&h=5.73 test page])]]
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[[File:Robert_haubt_photogrammetry.png|thumb|Testing Structure Sensor for iPad photogrammetry implementation for the [http://www.rockartdatabase.com.net/ The Global Rock Art Database] ]]
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Robert is the Founder and Lead Developer of the [[The Global Rock Art Database]] project. The project was launched in 2012 in consultation with Prof. [[Wikipedia:Paul Tacon|Paul Taçon]] at the [https://www.griffith.edu.au/humanities-languages/perahu Place, Evolution and Rock Art Heritage Unit (PERAHU)], [[Wikipedia:Griffith University|Griffith University]], as a responds to an increasing need to protect rock art heritage sites around the world that are threatened by natural and cultural forces such as vandalism, graffiti damage but also climate change and rising sea levels.
 +
 
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Today the platform presents a world first [Ref.1,2,3,4] approach towards global rock art heritage data collection through a centralized Hub. The project uses a [http://www.aaronsw.com/weblog/morewikipedias Radical Collaborative Approach] (influenced by the works on wikis by [[Wikipedia:Aaron Swartz|Aaron Swartz]] and [[Wikipedia:Ward Cunningham|Ward Cunningham]]) and takes a [[Wikipedia:Semantic Web|Semantic Web]] (influenced by [[Wikipedia:Berners-Lee|Tim Berners-Lee]] ) and Information Visualization (influenced by [[Wikipedia:Edward Tufte|Edward Tufte]]) approach towards management of Cultural Heritage [Ref.5,6,7].
 +
 
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As part of the Rock Art Database project, Robert developed an Interactive 2D & 3D Model Viewer that brings 2D images and 3D objects into an interactive virtual environment for visual/perspective and interactive analysis. The viewer allows the user to measure and manipulate the images and models using basic scaling and color adjustment tools. The tool is based on [http://x3dom.org/ X3DOM] and brings together the screenshot function and the annotation function described in the v-must summerschool and makes use of customized JavaScript to manipulate X3DOM attributes in HTML5.
 +
 
 +
=== Future plans ===
 +
-Interested in the infrastructure/logistics and cultural elements in digital applications
 +
*post-doc ends October. Academic job market = poo. I’m gearing up for 18-36 months of self-funded post-ex writing, a new project development, and navel gazing.
 +
 
 +
=== International Development ===
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<div class="thumb tright">
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<div class="thumbinner" style="width:302px;">
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<youtube width="295px" height="170px">qXX2zfVjwoA</youtube>
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<div class="thumbcaption">
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Big Screen Installation, Red Zone, Griffith University
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</div>
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</div>
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</div>
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<div class="thumb tright">
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<div class="thumbinner" style="width:302px;">
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<youtube width="295px" height="170px">NSCPxXy4Vnw</youtube>
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<div class="thumbcaption">
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Sold Coast project on the Gold Coast, QLD, Australia
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</div>
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</div>
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</div>
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[[File:Robert.haubt-fieldwork.jpg|thumb|Mobile Field Data Collector training with Park Rangers as part of the [http://www.mirarrrockart.net/ Mirarr Rock Art Project] ]]
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 +
Robert has been involved in a variety of field work and public outreach projects within information sciences and humanities in archaeology, anthropology, environmental sciences, coastal planning and cultural and urban studies. Past projects include field work conducted for the Global Rock Art Database, the [http://www.mirarrrockart.net/ Mirarr Rock Art Project], the Red ZONE big screen installation at Griffith University and the [http://soldcoast.com/ Sold Coast Project].
 +
 
 +
In 2016, the Global Rock Art Database team went to remote rock art locations in the Pacific. The team tested the integration of the [https://structure.io/ Structure Sensor] for iPad within the Global Rock Art Database pipeline using .x3d and x3DOM for modelling and disseminating large scale sites (up to 12m) and small motifs (mm accuracy). The pipeline uses realtime photogrammetric processing and .x3d model manipulation using <Appearance><Material> lighting and color properties and values.
 +
 
 +
In 2014, Robert worked on the [https://www.griffith.edu.au/redzone/whats-on/rock-art-exhibit Red Zone] big screen installation at Griffith University. The installation provides exciting interactive learning experiences for visitors. Through hands-on technology and massive projection displays, visitors can immerse themselves in different worlds, expand their knowledge and explore Griffith University's expertise in science, health, business, the arts and [https://www.griffith.edu.au/redzone/whats-on/rock-art-exhibit rock art]. The PERAHU Team worked on the rock art content which can be viewed on the touch wall at Griffith University's Nathan and Gold Coast campus.
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 +
In 2013, Robert was part of the Sold Coast initiative, a cultural laboratory for change. The project is a transdisciplinary team with expertise in contemporary art, design, film, coastal science, public art, humanities, cultural production and policy. The Sold Coast curates public experiments at the interstices of art, science and everyday life, ‘Creating change on the [[Wikipedia:Gold Coast, Queensland|Gold Coast]]'.
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In 2012, Robert took part in the [http://www.mirarrrockart.net/ Mirarr Rock Art Project]. The project studies and promotes rock art sites in Mirarr country and is a partnership between the Gundjeihmi Aboriginal Corporation (GAC) and the ANU Rock Art Research Centre. As part of the field work, the team tested ESS's mobile data recording application for iOS and Android in collaboration with local Park Rangers.
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= Bibliography =
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== Publications ==
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# Haubt, Taçon (2016). [[A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform]]. Journal of Archaeological Science: Reports.
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# Haubt, R. A. (2016). [[A Radical Collaborative Approach: Developing a Model for Learning Theory, Human-Based Computation and Participant Motivation in a Rock-Art Heritage Application]], ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., III-5, 65-72, doi:10.5194/isprs-annals-III-5-65-2016, 2016.
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# Haubt, R. A. (2015). [[The Global Rock Art Database: Developing a Rock Art Reference Model for the RADB System using the CIDOC CRM and Australian Heritage Examples]],ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., II-5/W3, 89-96, doi:10.5194/isprsannals-II-5-W3-89-2015, 2015.
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# Haubt, R. A.(2013). [[Virtual Heritage Archives: Building a Centralized Australian Rock Art Archive]], Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XL-5/W2, 319-324, doi:10.5194/isprsarchives-XL-5-W2-319-2013, 2013.
 +
 
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== Talks ==
 +
# Haubt, R. (2016). Guest Talk: Use of Cyber and Virtual tools for Landscape Archaeology. Landscape Archaeology. Course Convener Dr. Adela Sobotkova. Department of Ancient History, Macquarie University.
 +
# [http://www.academia.edu/30102004/Haubt_R._2016_._Guest_Talk_The_Global_Rock-Art_Database_Project_Building_a_Collaborative_Open_Source_Platform_for_Heritage_Management_from_Information_Structure_to_Information_Visualization_Using_Australian_Heritage_Examples._LAVA_University_of_Hawaii._Manoa_HI_USA Haubt, R. (2016). Guest Talk: The Global Rock-Art Database Project: Building a Collaborative Open Source Platform for Heritage Management from Information Structure to Information Visualization Using Australian Heritage Examples. LAVA, University of Hawaii. Manoa, HI, USA.]
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# [http://www.academia.edu/11980768/Haubt_R._2015_._The_Rock_Art_Database_Centralizing_and_Streamlining_Heritage_Data_Using_the_CIDOC_Reference_Model._Global_Studies_in_Rock_Art_Analysis_and_Interpretation._Society_for_American_Archaeology_80th_Annual_Meeting_2015_San_Francisco_USA Haubt, R. (2015). The Rock Art Database: Centralizing and Streamlining Heritage Data Using the CIDOC Reference Model. Global Studies in Rock Art Analysis and Interpretation. Society for American Archaeology, 80th Annual Meeting 2015, San Francisco, USA.]
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# [http://www.academia.edu/8563420/Haubt_R._2014_The_Rock_Art_Database_A_Global_Information_System_and_Data_Repository._The_Life_of_Things._WIP_Conference_2014_EMSAH_University_of_Queensland._Brisbane_Australia Haubt, R. (2014) The Rock Art Database: A Global Information System and Data Repository. The Life of Things. WIP Conference 2014, EMSAH, University of Queensland. Brisbane, Australia.]
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# [http://www.academia.edu/8024406/Haubt_R.A._2014_Virtual_Environment_Archives_A_Case_Study_of_Cultural_Preservation_within_Australian_Rock_Art_Archives_Emerging_Scholars_Day_Griffith_University_Southport_QLD_Australia Haubt, R.A., (2014), Virtual Environment Archives, A Case Study of Cultural Preservation within Australian Rock Art Archives, Emerging Scholars Day, Griffith University, Southport, QLD, Australia.]
 +
# [http://www.academia.edu/30101955/Haubt_R.A._2014_._Guest_Lecture_Rock_Art_in_the_21st_Century_The_State_of_Australian_Heritage_Archives._Rock_Art_in_the_21st_Century._Course_Convener_Prof._P._Ta%C3%A7on_Griffith_University_Southport_QLD_Australia Haubt, R.A. (2014). Guest Lecture: Rock Art in the 21st Century: The State of Australian Heritage Archives. Rock Art in the 21st Century. Course Convener Prof. P. Taçon, Griffith University, Southport, QLD, Australia.]
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# [https://www.youtube.com/watch?v=sXiOFo5HWiA Haubt, R., (2013). An Open Source Approach to Centralize Rock Art Data in Australia. Scale and Granularity in Archaeological Data Management. Australian Archaeological Association (AAA) Conference, 2-6 December, (2013). Coffs Harbor, NSW. Australia.]
 +
# [http://www.academia.edu/8024409/Haubt_R.A._2013_Heritage_Archives_Digitizing_Rock_Art_Data_in_Australia_Combined_Research_Day_Griffith_University_South_Bank_QLD_Australia Haubt, R.A., (2013), Heritage Archives: Digitizing Rock Art Data in Australia, Combined Research Day, Griffith University, South Bank, QLD, Australia.]
 +
# [http://www.academia.edu/8024411/Haubt_R.A._2013_Virtual_Environment_Archives_A_Case_Study_of_Socio-Technological_Antilogies_in_Cultural_Preservation_within_Australian_Rock_Art_Archives_Confirmation_Paper_Presentation_Griffith_University_Southport_QLD_Australia Haubt, R.A., (2013), Virtual Environment Archives, A Case Study of Socio-Technological Antilogies in Cultural Preservation within Australian Rock Art Archives, Confirmation Paper Presentation, Griffith University, Southport, QLD, Australia]
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# [http://www.academia.edu/30102146/Haubt_R._A._2004_._Preserving_Song_An_Examination_of_the_Development_and_Distortion_of_Indigenous_Music_in_Australia._Honors_Thesis._Middlesex_University_London_UK Haubt, R. A. (2004). Preserving Song: An Examination of the Development and Distortion of Indigenous Music in Australia. Honors Thesis. Middlesex University, London, UK.]
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== Projects ==
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# The Global Rock Art Database. URL: http://www.rockartdatabase.com
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# Big Screen Rock Art Installation - Red Zone, Griffith University. SOuthport, Australia. URL: http://www.academia.edu/13090324/Big_Screen_Rock_Art_Installation_-_Red_Zone_Griffith_University
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# CIPA Ontology Task Group (2016). Ontology. Developing A Rock Art Reference Model Using The CIDOC CRM And Australian Heritage Example. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/ontology.html
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# CIPA Ontology Task Group (2016). Semantic Web technologies: Resources. The Rock Art Database. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/semantic_web_technologies.html
 +
 
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= References =
 +
# Hampson, J. (2017). Recording rock art: strategies, challenges, and embracing the digital revolution. In The Oxford Handbook of the Archaeology and Anthropology of Rock Art Oxford University Press. pp.21 URL: http://research-repository.uwa.edu.au/files/16020849/Brady_et_al_2017_recording_rock_art.pdf
 +
# Rock Art Research (2016). A Resource. Rock Art Research, Volume 33, Number 1. pp.117 URL: http://www.afsp-perigord.fr/wp-content/uploads/2016/05/merged.pdf
 +
# Georgina Barton, Margaret Baguley. (2017). Editors’ Introduction: The World Alliance for Arts Education: Forging Forward in and Through the Arts. The Palgrave Handbook of Global Arts Education. pp 1-16. URL: https://link.springer.com/chapter/10.1057/978-1-137-55585-4_1
 +
# LARA. (206). Corpus des signes gravés néolithiques. Laboratoire de recherches archéologiques (LARA) Université de Nantes. pp.100. URL: http://bibliotheque.numerique.sra-bretagne.fr/files/original/8f9df2c6c57936333bafffd3d8d9d07e.pdf
 +
# NV Cerveny, RI Dorn, CD Allen, DS Whitley. (2016). Advances in rapid condition assessments of rock art sites: Rock Art Stability Index (RASI). Journal of Archaeological Science: Reports. URL: http://www.sciencedirect.com/science/article/pii/S2352409X16302929
 +
# A Amaro, F Flaviani, A Figueroa, R De Valencia. (2016). Ontologıa para las Manifestaciones Rupestres en Venezuela. URL: http://concisa.net.ve/memorias/CoNCISa2016/CoNCISa2016-p101-111.pdf
 +
 
 +
# Faris, Peter. (2015). The Global Rock Art Database. URL: http://rockartblog.blogspot.com.au/2015/10/global-rock-art-data-base.html
 +
 
 +
 
 +
= External Links =
 +
# http://whc.unesco.org/en/rocktart/
 +
# http://en.unesco.org/news/world-heritage-committee-opens-appeal-protect-cultural-heritage-sites-targeted-destruction
 +
# http://theconversation.com/australian-rock-art-is-threatened-by-a-lack-of-conservation-32900
 +
# https://theconversation.com/profiles/paul-s-c-tacon-140501
 +
# http://www.abc.net.au/news/2011-05-31/calls-for-national-rock-art-database/2738606
 +
# http://www98.griffith.edu.au/dspace/bitstream/handle/10072/69326/101393_1.pdf;jsessionid=ABD9EE1EFE54B7D783B3FC2631A267C5?sequence=1

Revision as of 00:39, 6 September 2017

The Integrated Archaeological Database (IADB) is a content management and database that integrates different kinds of archaeological digital data. Recently opened is IADB2017, which is an updated interface built on the same backend tables. http://www.iadb.co.uk/


https://en.wikipedia.org/wiki/Integrated_Archaeological_Database 


       Charlotte Marie Cable

         Occupation:

        Post-Doctoral Research Fellow, Saruq al-Hadid Archaeological Research Project

         Title:

        Doctor of Philosophy

         Professional Membership:

        {{{member}}}

         Known For:

         Discipline:

        Anthropological Archaeology

         Sub Discipline:

        Arabian Archaeology, Mortuary Analysis, Landscape Analysis

         Workplaces:

        University of New England

         Education:

        Michigan State University, University of Notre Dame

         Email:

        {{{email}}}

         Web Links:

        LinkedIn, Academic.edu, ResearchGate, ORCID

         ORCID:

        {{{orcid}}}

       

       Charlotte Marie Cable 's Network Links

Charlotte Marie Cable is some of the following: Integrated Archaeological Database (IADB) Archaeology of Arabia, landscape archaeology, mortuary archaeology, heritage & international development


an interdisciplinary researcher and lecturer in Digital Humanities. He is currently a Research Fellow with the Field Acquired Information Management System (FAIMS) project based at Macquarie University and teaches in Communication Design and Digital Media at Torrens University.


Educational Management & Communication Technology

After completing his honors degree in 2004, Robert started working in educational management with focus on building stronger communication and college administration systems for SAE Institute / qantm college, networking over 55 international campuses on four continents catering to 30.000 students.

The Global Rock Art Database

During his Master's degree in 2009, Robert met Paul Taçon while taking 'Rock Art in the 21st century' at Griffith University. Three years later, in 2012, he founded The Global Rock Art Database project with the support from Paul Taçon at the Place, Evolution and Rock Art Heritage Unit (PERAHU), Griffith University. The project takes a global citizen science approach and currently features over 250 rock art projects and sites from around the world. The Global Rock Art Database explores the use of new technologies for heritage data management and dissemination and looks at ways of making rock art heritage information more accessible and more visible for scholars and enthusiasts alike.

Bat Archaeological Project (American-Japanese Bat Archaeological Project)

In 2007, Charlotte did some amazing stuff --- you just wouldn't believe how vastly mind-bogglingly amazing she is. I'm truth-telling, for sure. Bat Archaeological Project (Oman), 2007+: excavation and survey in a World Heritage Site famous for its tombs, towers, and settlement. This included stints working for the government of Oman developing their regional office.

Saruq al-Hadid Archaeological Project (SHARP)

In late 2014, Charlotte started post-doctoral research based on excavations at Saruq al-Hadid (Dubai, UAE), 2015-2017*: A 3rd-1st mill. BCE embarrassment of riches within giant (1sq km?) sand dunes on the edge of the Empty Quarter. My work is to interpret this enigma and keep everyone sane.

Teaching

Ideas and Innovations

quick summary...

The Global Rock Art Database

The Global Rock Art Database using GIS, Interactive 2D & 3D Model Viewer and semantic data visualization integration of RelFinder
Interactive 2D & 3D Model Viewer (test page)
Testing Structure Sensor for iPad photogrammetry implementation for the The Global Rock Art Database

Robert is the Founder and Lead Developer of the The Global Rock Art Database project. The project was launched in 2012 in consultation with Prof. Paul Taçon at the Place, Evolution and Rock Art Heritage Unit (PERAHU), Griffith University, as a responds to an increasing need to protect rock art heritage sites around the world that are threatened by natural and cultural forces such as vandalism, graffiti damage but also climate change and rising sea levels.

Today the platform presents a world first [Ref.1,2,3,4] approach towards global rock art heritage data collection through a centralized Hub. The project uses a Radical Collaborative Approach (influenced by the works on wikis by Aaron Swartz and Ward Cunningham) and takes a Semantic Web (influenced by Tim Berners-Lee ) and Information Visualization (influenced by Edward Tufte) approach towards management of Cultural Heritage [Ref.5,6,7].

As part of the Rock Art Database project, Robert developed an Interactive 2D & 3D Model Viewer that brings 2D images and 3D objects into an interactive virtual environment for visual/perspective and interactive analysis. The viewer allows the user to measure and manipulate the images and models using basic scaling and color adjustment tools. The tool is based on X3DOM and brings together the screenshot function and the annotation function described in the v-must summerschool and makes use of customized JavaScript to manipulate X3DOM attributes in HTML5.

Future plans

-Interested in the infrastructure/logistics and cultural elements in digital applications

  • post-doc ends October. Academic job market = poo. I’m gearing up for 18-36 months of self-funded post-ex writing, a new project development, and navel gazing.

International Development

Big Screen Installation, Red Zone, Griffith University

Sold Coast project on the Gold Coast, QLD, Australia

File:Robert.haubt-fieldwork.jpg
Mobile Field Data Collector training with Park Rangers as part of the Mirarr Rock Art Project

Robert has been involved in a variety of field work and public outreach projects within information sciences and humanities in archaeology, anthropology, environmental sciences, coastal planning and cultural and urban studies. Past projects include field work conducted for the Global Rock Art Database, the Mirarr Rock Art Project, the Red ZONE big screen installation at Griffith University and the Sold Coast Project.

In 2016, the Global Rock Art Database team went to remote rock art locations in the Pacific. The team tested the integration of the Structure Sensor for iPad within the Global Rock Art Database pipeline using .x3d and x3DOM for modelling and disseminating large scale sites (up to 12m) and small motifs (mm accuracy). The pipeline uses realtime photogrammetric processing and .x3d model manipulation using <Appearance><Material> lighting and color properties and values.

In 2014, Robert worked on the Red Zone big screen installation at Griffith University. The installation provides exciting interactive learning experiences for visitors. Through hands-on technology and massive projection displays, visitors can immerse themselves in different worlds, expand their knowledge and explore Griffith University's expertise in science, health, business, the arts and rock art. The PERAHU Team worked on the rock art content which can be viewed on the touch wall at Griffith University's Nathan and Gold Coast campus.

In 2013, Robert was part of the Sold Coast initiative, a cultural laboratory for change. The project is a transdisciplinary team with expertise in contemporary art, design, film, coastal science, public art, humanities, cultural production and policy. The Sold Coast curates public experiments at the interstices of art, science and everyday life, ‘Creating change on the Gold Coast'.

In 2012, Robert took part in the Mirarr Rock Art Project. The project studies and promotes rock art sites in Mirarr country and is a partnership between the Gundjeihmi Aboriginal Corporation (GAC) and the ANU Rock Art Research Centre. As part of the field work, the team tested ESS's mobile data recording application for iOS and Android in collaboration with local Park Rangers.


Bibliography

Publications

  1. Haubt, Taçon (2016). A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform. Journal of Archaeological Science: Reports.
  2. Haubt, R. A. (2016). A Radical Collaborative Approach: Developing a Model for Learning Theory, Human-Based Computation and Participant Motivation in a Rock-Art Heritage Application, ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., III-5, 65-72, doi:10.5194/isprs-annals-III-5-65-2016, 2016.
  3. Haubt, R. A. (2015). The Global Rock Art Database: Developing a Rock Art Reference Model for the RADB System using the CIDOC CRM and Australian Heritage Examples,ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., II-5/W3, 89-96, doi:10.5194/isprsannals-II-5-W3-89-2015, 2015.
  4. Haubt, R. A.(2013). Virtual Heritage Archives: Building a Centralized Australian Rock Art Archive, Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XL-5/W2, 319-324, doi:10.5194/isprsarchives-XL-5-W2-319-2013, 2013.

Talks

  1. Haubt, R. (2016). Guest Talk: Use of Cyber and Virtual tools for Landscape Archaeology. Landscape Archaeology. Course Convener Dr. Adela Sobotkova. Department of Ancient History, Macquarie University.
  2. Haubt, R. (2016). Guest Talk: The Global Rock-Art Database Project: Building a Collaborative Open Source Platform for Heritage Management from Information Structure to Information Visualization Using Australian Heritage Examples. LAVA, University of Hawaii. Manoa, HI, USA.
  3. Haubt, R. (2015). The Rock Art Database: Centralizing and Streamlining Heritage Data Using the CIDOC Reference Model. Global Studies in Rock Art Analysis and Interpretation. Society for American Archaeology, 80th Annual Meeting 2015, San Francisco, USA.
  4. Haubt, R. (2014) The Rock Art Database: A Global Information System and Data Repository. The Life of Things. WIP Conference 2014, EMSAH, University of Queensland. Brisbane, Australia.
  5. Haubt, R.A., (2014), Virtual Environment Archives, A Case Study of Cultural Preservation within Australian Rock Art Archives, Emerging Scholars Day, Griffith University, Southport, QLD, Australia.
  6. Haubt, R.A. (2014). Guest Lecture: Rock Art in the 21st Century: The State of Australian Heritage Archives. Rock Art in the 21st Century. Course Convener Prof. P. Taçon, Griffith University, Southport, QLD, Australia.
  7. Haubt, R., (2013). An Open Source Approach to Centralize Rock Art Data in Australia. Scale and Granularity in Archaeological Data Management. Australian Archaeological Association (AAA) Conference, 2-6 December, (2013). Coffs Harbor, NSW. Australia.
  8. Haubt, R.A., (2013), Heritage Archives: Digitizing Rock Art Data in Australia, Combined Research Day, Griffith University, South Bank, QLD, Australia.
  9. Haubt, R.A., (2013), Virtual Environment Archives, A Case Study of Socio-Technological Antilogies in Cultural Preservation within Australian Rock Art Archives, Confirmation Paper Presentation, Griffith University, Southport, QLD, Australia
  10. Haubt, R. A. (2004). Preserving Song: An Examination of the Development and Distortion of Indigenous Music in Australia. Honors Thesis. Middlesex University, London, UK.

Projects

  1. The Global Rock Art Database. URL: http://www.rockartdatabase.com
  2. Big Screen Rock Art Installation - Red Zone, Griffith University. SOuthport, Australia. URL: http://www.academia.edu/13090324/Big_Screen_Rock_Art_Installation_-_Red_Zone_Griffith_University
  3. CIPA Ontology Task Group (2016). Ontology. Developing A Rock Art Reference Model Using The CIDOC CRM And Australian Heritage Example. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/ontology.html
  4. CIPA Ontology Task Group (2016). Semantic Web technologies: Resources. The Rock Art Database. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/semantic_web_technologies.html


References

  1. Hampson, J. (2017). Recording rock art: strategies, challenges, and embracing the digital revolution. In The Oxford Handbook of the Archaeology and Anthropology of Rock Art Oxford University Press. pp.21 URL: http://research-repository.uwa.edu.au/files/16020849/Brady_et_al_2017_recording_rock_art.pdf
  2. Rock Art Research (2016). A Resource. Rock Art Research, Volume 33, Number 1. pp.117 URL: http://www.afsp-perigord.fr/wp-content/uploads/2016/05/merged.pdf
  3. Georgina Barton, Margaret Baguley. (2017). Editors’ Introduction: The World Alliance for Arts Education: Forging Forward in and Through the Arts. The Palgrave Handbook of Global Arts Education. pp 1-16. URL: https://link.springer.com/chapter/10.1057/978-1-137-55585-4_1
  4. LARA. (206). Corpus des signes gravés néolithiques. Laboratoire de recherches archéologiques (LARA) Université de Nantes. pp.100. URL: http://bibliotheque.numerique.sra-bretagne.fr/files/original/8f9df2c6c57936333bafffd3d8d9d07e.pdf
  5. NV Cerveny, RI Dorn, CD Allen, DS Whitley. (2016). Advances in rapid condition assessments of rock art sites: Rock Art Stability Index (RASI). Journal of Archaeological Science: Reports. URL: http://www.sciencedirect.com/science/article/pii/S2352409X16302929
  6. A Amaro, F Flaviani, A Figueroa, R De Valencia. (2016). Ontologıa para las Manifestaciones Rupestres en Venezuela. URL: http://concisa.net.ve/memorias/CoNCISa2016/CoNCISa2016-p101-111.pdf
  1. Faris, Peter. (2015). The Global Rock Art Database. URL: http://rockartblog.blogspot.com.au/2015/10/global-rock-art-data-base.html


External Links

  1. http://whc.unesco.org/en/rocktart/
  2. http://en.unesco.org/news/world-heritage-committee-opens-appeal-protect-cultural-heritage-sites-targeted-destruction
  3. http://theconversation.com/australian-rock-art-is-threatened-by-a-lack-of-conservation-32900
  4. https://theconversation.com/profiles/paul-s-c-tacon-140501
  5. http://www.abc.net.au/news/2011-05-31/calls-for-national-rock-art-database/2738606
  6. http://www98.griffith.edu.au/dspace/bitstream/handle/10072/69326/101393_1.pdf;jsessionid=ABD9EE1EFE54B7D783B3FC2631A267C5?sequence=1
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Educationwikipedia:Michigan State University + and wikipedia:University of Notre Dame +
Has nameCharlotte Marie Cable +
Has titlewikipedia:Doctor of Philosophy +
Has workplacewikipedia:University of New England + and wikipedia:Macquarie University +
Is in disciplinewikipedia:Anthropological Archaeology +
Is in sub disciplinewikipedia:Arabian Archaeology +, wikipedia:Mortuary Analysis + and wikipedia:Landscape Analysis +