Difference between revisions of "Integrated Archaeological Database (IADB)"

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= References =
 
= References =
−
== Publications ==
 
 
# Haubt, Taçon (2016). [[A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform]]. Journal of Archaeological Science: Reports.
 
# Haubt, Taçon (2016). [[A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform]]. Journal of Archaeological Science: Reports.
 
# Haubt, R. A. (2016). [[A Radical Collaborative Approach: Developing a Model for Learning Theory, Human-Based Computation and Participant Motivation in a Rock-Art Heritage Application]], ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., III-5, 65-72, doi:10.5194/isprs-annals-III-5-65-2016, 2016.
 
# Haubt, R. A. (2016). [[A Radical Collaborative Approach: Developing a Model for Learning Theory, Human-Based Computation and Participant Motivation in a Rock-Art Heritage Application]], ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., III-5, 65-72, doi:10.5194/isprs-annals-III-5-65-2016, 2016.

Revision as of 07:19, 7 September 2017

The Integrated Archaeological Database (IADB) is a content management and database that integrates different kinds of archaeological digital data. Recently opened is IADB2017, which is an updated interface built on the same backend tables. http://www.iadb.co.uk/

Integrated Archaeological Database


https://en.wikipedia.org/wiki/Integrated_Archaeological_Database


The Global Rock Art Database

During his Master's degree in 2009, Robert met Paul Taçon while taking 'Rock Art in the 21st century' at Griffith University. Three years later, in 2012, he founded The Global Rock Art Database project with the support from Paul Taçon at the Place, Evolution and Rock Art Heritage Unit (PERAHU), Griffith University. The project takes a global citizen science approach and currently features over 250 rock art projects and sites from around the world. The Global Rock Art Database explores the use of new technologies for heritage data management and dissemination and looks at ways of making rock art heritage information more accessible and more visible for scholars and enthusiasts alike.

Bat Archaeological Project (American-Japanese Bat Archaeological Project)

In 2007, Charlotte did some amazing stuff --- you just wouldn't believe how vastly mind-bogglingly amazing she is. I'm truth-telling, for sure. Bat Archaeological Project (Oman), 2007+: excavation and survey in a World Heritage Site famous for its tombs, towers, and settlement. This included stints working for the government of Oman developing their regional office.

Saruq al-Hadid Archaeological Project (SHARP)

In late 2014, Charlotte started post-doctoral research based on excavations at Saruq al-Hadid (Dubai, UAE), 2015-2017*: A 3rd-1st mill. BCE embarrassment of riches within giant (1sq km?) sand dunes on the edge of the Empty Quarter. My work is to interpret this enigma and keep everyone sane.



References

  1. Haubt, Taçon (2016). A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform. Journal of Archaeological Science: Reports.
  2. Haubt, R. A. (2016). A Radical Collaborative Approach: Developing a Model for Learning Theory, Human-Based Computation and Participant Motivation in a Rock-Art Heritage Application, ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., III-5, 65-72, doi:10.5194/isprs-annals-III-5-65-2016, 2016.
  3. Haubt, R. A. (2015). The Global Rock Art Database: Developing a Rock Art Reference Model for the RADB System using the CIDOC CRM and Australian Heritage Examples,ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., II-5/W3, 89-96, doi:10.5194/isprsannals-II-5-W3-89-2015, 2015.
  4. Haubt, R. A.(2013). Virtual Heritage Archives: Building a Centralized Australian Rock Art Archive, Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XL-5/W2, 319-324, doi:10.5194/isprsarchives-XL-5-W2-319-2013, 2013.
  5. The Global Rock Art Database. URL: http://www.rockartdatabase.com
  6. Big Screen Rock Art Installation - Red Zone, Griffith University. SOuthport, Australia. URL: http://www.academia.edu/13090324/Big_Screen_Rock_Art_Installation_-_Red_Zone_Griffith_University
  7. CIPA Ontology Task Group (2016). Ontology. Developing A Rock Art Reference Model Using The CIDOC CRM And Australian Heritage Example. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/ontology.html
  8. CIPA Ontology Task Group (2016). Semantic Web technologies: Resources. The Rock Art Database. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/semantic_web_technologies.html
  9. Hampson, J. (2017). Recording rock art: strategies, challenges, and embracing the digital revolution. In The Oxford Handbook of the Archaeology and Anthropology of Rock Art Oxford University Press. pp.21 URL: http://research-repository.uwa.edu.au/files/16020849/Brady_et_al_2017_recording_rock_art.pdf
  10. Rock Art Research (2016). A Resource. Rock Art Research, Volume 33, Number 1. pp.117 URL: http://www.afsp-perigord.fr/wp-content/uploads/2016/05/merged.pdf
  11. Georgina Barton, Margaret Baguley. (2017). Editors’ Introduction: The World Alliance for Arts Education: Forging Forward in and Through the Arts. The Palgrave Handbook of Global Arts Education. pp 1-16. URL: https://link.springer.com/chapter/10.1057/978-1-137-55585-4_1
  12. LARA. (206). Corpus des signes gravés néolithiques. Laboratoire de recherches archéologiques (LARA) Université de Nantes. pp.100. URL: http://bibliotheque.numerique.sra-bretagne.fr/files/original/8f9df2c6c57936333bafffd3d8d9d07e.pdf
  13. NV Cerveny, RI Dorn, CD Allen, DS Whitley. (2016). Advances in rapid condition assessments of rock art sites: Rock Art Stability Index (RASI). Journal of Archaeological Science: Reports. URL: http://www.sciencedirect.com/science/article/pii/S2352409X16302929
  14. A Amaro, F Flaviani, A Figueroa, R De Valencia. (2016). Ontologıa para las Manifestaciones Rupestres en Venezuela. URL: http://concisa.net.ve/memorias/CoNCISa2016/CoNCISa2016-p101-111.pdf
  15. Faris, Peter. (2015). The Global Rock Art Database. URL: http://rockartblog.blogspot.com.au/2015/10/global-rock-art-data-base.html


External Links

  1. http://whc.unesco.org/en/rocktart/
  2. http://en.unesco.org/news/world-heritage-committee-opens-appeal-protect-cultural-heritage-sites-targeted-destruction
  3. http://theconversation.com/australian-rock-art-is-threatened-by-a-lack-of-conservation-32900
  4. https://theconversation.com/profiles/paul-s-c-tacon-140501
  5. http://www.abc.net.au/news/2011-05-31/calls-for-national-rock-art-database/2738606
  6. http://www98.griffith.edu.au/dspace/bitstream/handle/10072/69326/101393_1.pdf;jsessionid=ABD9EE1EFE54B7D783B3FC2631A267C5?sequence=1
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