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| − | The Integrated Archaeological Database (IADB) is a content management and database that integrates different kinds of archaeological digital data. Recently opened is IADB2017, which is an updated interface built on the same backend tables. | + | The [[Wikipedia:Integrated Archaeological Database|Integrated Archaeological Database]], (the IADB) (http://www.iadb.co.uk) is a content management and database that integrates different kinds of archaeological digital data. Recently opened is IADB2017, which is an updated interface built on the same backend tables. |
| − | http://www.iadb.co.uk/
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| + | The system was designed for excavations in the UK, and as such the built-in structure works well with the [[Museum of London Archaeology (IADB)|Museum of London Archaeology]] |
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| | https://en.wikipedia.org/wiki/Integrated_Archaeological_Database | | https://en.wikipedia.org/wiki/Integrated_Archaeological_Database |
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| − | === Educational Management & Communication Technology ===
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| − | After completing his honors degree in 2004, Robert started working in educational management with focus on building stronger communication and college administration systems for SAE Institute / qantm college, networking over 55 international campuses on four continents catering to 30.000 students.
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| − | === The Global Rock Art Database ===
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| − | During his Master's degree in 2009, Robert met Paul Taçon while taking 'Rock Art in the 21st century' at Griffith University. Three years later, in 2012, he founded [[The Global Rock Art Database]] project with the support from Paul Taçon at the Place, Evolution and Rock Art Heritage Unit (PERAHU), Griffith University. The project takes a global citizen science approach and currently features over 250 rock art projects and sites from around the world. The Global Rock Art Database explores the use of new technologies for heritage data management and dissemination and looks at ways of making rock art heritage information more accessible and more visible for scholars and enthusiasts alike.
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| − | === Bat Archaeological Project (American-Japanese Bat Archaeological Project) ===
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| − | In 2007, Charlotte did some amazing stuff --- you just wouldn't believe how vastly mind-bogglingly amazing she is. I'm truth-telling, for sure.
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| − | Bat Archaeological Project (Oman), 2007+: excavation and survey in a World Heritage Site famous for its tombs, towers, and settlement. This included stints working for the government of Oman developing their regional office.
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| | === Saruq al-Hadid Archaeological Project (SHARP) === | | === Saruq al-Hadid Archaeological Project (SHARP) === |
| | In late 2014, Charlotte started post-doctoral research based on excavations at Saruq al-Hadid (Dubai, UAE), 2015-2017*: A 3rd-1st mill. BCE embarrassment of riches within giant (1sq km?) sand dunes on the edge of the Empty Quarter. My work is to interpret this enigma and keep everyone sane. | | In late 2014, Charlotte started post-doctoral research based on excavations at Saruq al-Hadid (Dubai, UAE), 2015-2017*: A 3rd-1st mill. BCE embarrassment of riches within giant (1sq km?) sand dunes on the edge of the Empty Quarter. My work is to interpret this enigma and keep everyone sane. |
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| − | === Teaching ===
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| − | === International Development ===
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| − | Big Screen Installation, Red Zone, Griffith University
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| − | Sold Coast project on the Gold Coast, QLD, Australia
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| − | [[File:Robert.haubt-fieldwork.jpg|thumb|Mobile Field Data Collector training with Park Rangers as part of the [http://www.mirarrrockart.net/ Mirarr Rock Art Project] ]]
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| − | Robert has been involved in a variety of field work and public outreach projects within information sciences and humanities in archaeology, anthropology, environmental sciences, coastal planning and cultural and urban studies. Past projects include field work conducted for the Global Rock Art Database, the [http://www.mirarrrockart.net/ Mirarr Rock Art Project], the Red ZONE big screen installation at Griffith University and the [http://soldcoast.com/ Sold Coast Project].
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| − | In 2016, the Global Rock Art Database team went to remote rock art locations in the Pacific. The team tested the integration of the [https://structure.io/ Structure Sensor] for iPad within the Global Rock Art Database pipeline using .x3d and x3DOM for modelling and disseminating large scale sites (up to 12m) and small motifs (mm accuracy). The pipeline uses realtime photogrammetric processing and .x3d model manipulation using <Appearance><Material> lighting and color properties and values.
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| − | In 2014, Robert worked on the [https://www.griffith.edu.au/redzone/whats-on/rock-art-exhibit Red Zone] big screen installation at Griffith University. The installation provides exciting interactive learning experiences for visitors. Through hands-on technology and massive projection displays, visitors can immerse themselves in different worlds, expand their knowledge and explore Griffith University's expertise in science, health, business, the arts and [https://www.griffith.edu.au/redzone/whats-on/rock-art-exhibit rock art]. The PERAHU Team worked on the rock art content which can be viewed on the touch wall at Griffith University's Nathan and Gold Coast campus.
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| − | In 2013, Robert was part of the Sold Coast initiative, a cultural laboratory for change. The project is a transdisciplinary team with expertise in contemporary art, design, film, coastal science, public art, humanities, cultural production and policy. The Sold Coast curates public experiments at the interstices of art, science and everyday life, ‘Creating change on the [[Wikipedia:Gold Coast, Queensland|Gold Coast]]'.
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| − | In 2012, Robert took part in the [http://www.mirarrrockart.net/ Mirarr Rock Art Project]. The project studies and promotes rock art sites in Mirarr country and is a partnership between the Gundjeihmi Aboriginal Corporation (GAC) and the ANU Rock Art Research Centre. As part of the field work, the team tested ESS's mobile data recording application for iOS and Android in collaboration with local Park Rangers.
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| − | = Bibliography =
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| − | == Publications ==
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| − | # Haubt, Taçon (2016). [[A collaborative, ontological and information visualization model approach in a centralized rock art heritage platform]]. Journal of Archaeological Science: Reports.
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| − | # Haubt, R. A. (2016). [[A Radical Collaborative Approach: Developing a Model for Learning Theory, Human-Based Computation and Participant Motivation in a Rock-Art Heritage Application]], ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., III-5, 65-72, doi:10.5194/isprs-annals-III-5-65-2016, 2016.
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| − | # Haubt, R. A. (2015). [[The Global Rock Art Database: Developing a Rock Art Reference Model for the RADB System using the CIDOC CRM and Australian Heritage Examples]],ISPRS Ann. Photogramm. Remote Sens. Spatial Inf. Sci., II-5/W3, 89-96, doi:10.5194/isprsannals-II-5-W3-89-2015, 2015.
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| − | # Haubt, R. A.(2013). [[Virtual Heritage Archives: Building a Centralized Australian Rock Art Archive]], Int. Arch. Photogramm. Remote Sens. Spatial Inf. Sci., XL-5/W2, 319-324, doi:10.5194/isprsarchives-XL-5-W2-319-2013, 2013.
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| − | == Projects ==
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| − | # The Global Rock Art Database. URL: http://www.rockartdatabase.com
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| − | # Big Screen Rock Art Installation - Red Zone, Griffith University. SOuthport, Australia. URL: http://www.academia.edu/13090324/Big_Screen_Rock_Art_Installation_-_Red_Zone_Griffith_University
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| − | # CIPA Ontology Task Group (2016). Ontology. Developing A Rock Art Reference Model Using The CIDOC CRM And Australian Heritage Example. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/ontology.html
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| − | # CIPA Ontology Task Group (2016). Semantic Web technologies: Resources. The Rock Art Database. Arbeitsbereich für Vermessung und GEOinformation. Universität Innsbruck. URL: https://www.uibk.ac.at/vermessung/cipa_ontology_task_group/semantic_web_technologies.html
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| | = References = | | = References = |
| − | # Hampson, J. (2017). Recording rock art: strategies, challenges, and embracing the digital revolution. In The Oxford Handbook of the Archaeology and Anthropology of Rock Art Oxford University Press. pp.21 URL: http://research-repository.uwa.edu.au/files/16020849/Brady_et_al_2017_recording_rock_art.pdf
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| − | # Rock Art Research (2016). A Resource. Rock Art Research, Volume 33, Number 1. pp.117 URL: http://www.afsp-perigord.fr/wp-content/uploads/2016/05/merged.pdf
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| − | # Georgina Barton, Margaret Baguley. (2017). Editors’ Introduction: The World Alliance for Arts Education: Forging Forward in and Through the Arts. The Palgrave Handbook of Global Arts Education. pp 1-16. URL: https://link.springer.com/chapter/10.1057/978-1-137-55585-4_1
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| − | # LARA. (206). Corpus des signes gravés néolithiques. Laboratoire de recherches archéologiques (LARA) Université de Nantes. pp.100. URL: http://bibliotheque.numerique.sra-bretagne.fr/files/original/8f9df2c6c57936333bafffd3d8d9d07e.pdf
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| − | # NV Cerveny, RI Dorn, CD Allen, DS Whitley. (2016). Advances in rapid condition assessments of rock art sites: Rock Art Stability Index (RASI). Journal of Archaeological Science: Reports. URL: http://www.sciencedirect.com/science/article/pii/S2352409X16302929
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| − | # A Amaro, F Flaviani, A Figueroa, R De Valencia. (2016). Ontologıa para las Manifestaciones Rupestres en Venezuela. URL: http://concisa.net.ve/memorias/CoNCISa2016/CoNCISa2016-p101-111.pdf
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| − | # Faris, Peter. (2015). The Global Rock Art Database. URL: http://rockartblog.blogspot.com.au/2015/10/global-rock-art-data-base.html
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| − | = External Links =
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| − | # http://whc.unesco.org/en/rocktart/
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| − | # http://en.unesco.org/news/world-heritage-committee-opens-appeal-protect-cultural-heritage-sites-targeted-destruction
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| − | # http://theconversation.com/australian-rock-art-is-threatened-by-a-lack-of-conservation-32900
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| − | # https://theconversation.com/profiles/paul-s-c-tacon-140501
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| − | # http://www.abc.net.au/news/2011-05-31/calls-for-national-rock-art-database/2738606
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| − | # http://www98.griffith.edu.au/dspace/bitstream/handle/10072/69326/101393_1.pdf;jsessionid=ABD9EE1EFE54B7D783B3FC2631A267C5?sequence=1
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The system was designed for excavations in the UK, and as such the built-in structure works well with the Museum of London Archaeology
In late 2014, Charlotte started post-doctoral research based on excavations at Saruq al-Hadid (Dubai, UAE), 2015-2017*: A 3rd-1st mill. BCE embarrassment of riches within giant (1sq km?) sand dunes on the edge of the Empty Quarter. My work is to interpret this enigma and keep everyone sane.
